Believe it or not, I looked at lot of gorillas. Just because they had this kind of lumbering thing that becomes explosive, you know. I like that. Plus, when you do the motion capture, you put the suit on and then you go into a room where they have monitors all around, and so you step in front of this monitor and there’s the Hulk. It’s literally like putting a costume on but it’s the Hulk. Every move I make, the Hulk is making – a very rudimentary version of him – and all of a sudden, you start looking at that and you’re like, “Moving like that isn’t honest to that character.” All of a sudden, the image of the Hulk starts telling you how to move. He doesn’t move quickly. He has this kind of lumbering thing and his shoulders are a little rolled over, you know.